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Portland, Maine · by appointment

A hair salon that books the time the hair actually needs

Fernway & Slate cuts, colours and finishes in a four-chair room on Cushman Street. Every service is quoted at a consultation first, and the stylist named on the appointment is the one who does the work.

Styling chairs and mirrors along a salon floor, with product shelves at the back.
Plate 1 of 5 Styling chairs along the floor
Two wash chairs and arched mirrors against a terracotta wall in a salon.
Plate 2 of 5 Wash chairs and arched mirrors
A backwash basin with a black reclining chair and shampoo bottles on a white shelf.
Plate 3 of 5 The backwash station
A row of professional haircutting scissors laid out on a dark counter.
Plate 4 of 5 Cutting scissors, laid out
A nineteen-forties salon room: a styling chair at a panelled dressing station, with curtained booths along the wall.
Plate 5 of 5 Salon room, 1941 fitting

The wall, 5 plates

The six services

Each service carries its scope, the time it takes and the price it is booked at. The services page prints the full scope for every one.

  • Consultation and hair assessment

    Twenty minutes in the chair, dry then damp, before anything is booked.

    no charge

  • Blow-dry and set

    A wash, a scalp massage and a finish shaped to the cut already there.

    from $46

  • Gloss and toner

    Demi-permanent tone, shine, and cover for the first grey.

    $58

  • Cut and finish

    A full hour: consultation, wash, cut, and a finish that can be repeated at home.

    from $72

  • Single-process colour

    One colour, root to end or roots only, with a bonding treatment.

    from $110

  • Balayage and hand-painted colour

    Hand-painted lightening, a toner chosen at the basin, three hours at the chair.

    from $215

How the salon works

An enquiry is answered by a person, a consultation settles the service and the price, and the appointment is booked for the time that service genuinely takes. Nothing is added at the chair that was not agreed beforehand.

From the wall

Three plates from the gallery, each labelled with what it shows. The full set of eight hangs on the gallery page.

  • A working counter with combs, scissors and clippers laid out beside a barber chair.
    Working counter, combs and clippers
  • A black and white photograph of a salon in 1934, with a dressing table, a mirror and a hood dryer on a stand.
    Salon interior, 1934
  • Two chrome hood dryers beside a dressing table holding a blonde practice head.
    Hood dryers and dressing table

The people at the salon

Four people cover the six services. A preferred stylist can be named on the contact form, and availability is confirmed separately.

  • A close cut being finished at the nape with scissors, the client seen from behind.

    Margot Hale

    Lead stylist

    Runs the cutting side of the salon and takes the consultations where length, texture or a grown-out shape make the answer less obvious. Works dry first, so a client can see what the hair is already doing before anything is agreed, and says plainly when a shape will need more upkeep than the client wants to give it.

  • A salon interior with dark wood mirrored cabinets, chairs and a gown hanging by the wall.

    Devin Okonkwo

    Senior stylist

    Cuts fine and curly hair through the week and handles most of the fringe trims between appointments. Keeps a written note of each client’s finishing routine so a blow-dry can be repeated at home with the tools they actually own.

  • Jars of semi-permanent hair colour lined up on a lit shelf.

    Simone Attah

    Colour specialist

    Mixes and paints every colour service, from a single-process root to a full balayage, and takes the strand tests when box colour or henna is already in the hair. Books a follow-up gloss into the same appointment when a tone will need adjusting.

  • Two black backwash basins set into a wooden unit.

    Clara Nyquist

    Salon manager and client care

    Answers the contact form, holds the appointment book and confirms which stylist is free for a requested date. Also looks after the wash bar, the treatment timings and anything that needs rescheduling once an appointment is made.

What clients said

  • She came in with photographs and no idea what her hair could actually do. The consultation ran twenty minutes, dry then damp, and ended with a written note of the service, the time and the price. Nothing was booked that day and nobody pushed for it.

    Hannah B.

  • The cut was worked dry first, which no salon had done for him before, and the cowlick at the crown was allowed for instead of fought. Six weeks on, the shape still falls the way it did in the chair.

    Marcus D.

  • Three hours, and the painting followed the way her hair falls rather than a fixed line. The grown-out edge stayed soft enough that she went four months before the next appointment.

    Rosa N.

Four questions

How should a visitor choose a service?

Start with the consultation: twenty minutes, dry then damp, ending with a written note of the service, the time and the price.

Are the displayed prices final?

The published price applies to hair of average length and density. Anything longer or thicker is quoted at the consultation, before the appointment is booked.

What should a first-time visitor prepare?

Come with hair as it normally is, bring photographs of what is wanted, and know what colour has been on it in the last year.

Can a visitor request a particular stylist?

Yes. Name the stylist in the contact form; availability is confirmed separately.

Start with a consultation

It costs nothing, takes twenty minutes, and ends with a written note of the service, the time it needs and the price.

Occasional email

An email when a cancellation opens a chair or the salon’s hours change. No fixed schedule, and one link in every message removes an address from the list.

This is a demo design, not a real business.Have it rebranded as yours for $500 from EZWebee.